Climate change, social and economic emergencies challenge my personal and political thoughts and actions. My work as a dancer and choreographer is by its nature experiential, sensory, and interactive. I am passionate about researching new eco-responsible materials derived from living cultures such as mushrooms, algae and plants. The title comes from the name that American...

E|Ma was born from a research residency at Kujoyama Villa in Japan on the Ma – experience of emptiness and silence between things and beings, in the manner of breathing. The time – space of E|Ma is structured by the dancers and the digital device made of polyhedrons, known as Dürer’s, provided with behaviors. The...

Strata takes shape on the principle of interaction between all the elements of the device: the sound, the light, the scenography, the presences, the places… I call device the system of relation between all the elements put in play for the composition of the project and its relation to the public. Strata seeks to question...

This new creation experiments with the body through a dynamic structure, made up of three large tubular metal rods, linked to each other by elastic cords. The movement and the structure answer each other in the same dynamic. Faced with this body in tension, we witness a metaphysics of gesture that acts on our beings...

This third solo seeks to unfold the elusive space in which perception slips, stretches, dilates, vibrates. Bringing the point of view closer and further away, dilating the notion of contour through the vibrations of sound and the reflections of light, in order to highlight the shift from one level of depth to another and to...

Broken forms, vibratile volumes, suspended curves and stretched-out lines : with Maria Donata d’Urso, the universal, naked body, brings apart the human figure and breaks into living matter, which imperceptibly metamorphoses and irradiates a singular energy. The limbs become autonomous, unite, dissociate, assemble differently, to compose strange abstract and moving pictures.(…) Gwenola David- Danser 2005...

The choreographic proposal of Pezzo 0 (due) is attention paid to the subtile, the minute, the listening more than to a will of expressing something. I like to consider the surface of the skin as scenic space. The skin, border zone, limit, interface, point zero. Zero as a hinge between plus and minus, before and...